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《醫(yī)師好辣》相關(guān)評(píng)論
甜酒釀
孔乙己被迫脫下長(zhǎng)衫 放在現(xiàn)在依舊現(xiàn)實(shí) 這部電影的聲音相比之前有很大的進(jìn)步 聲畫同步 不足之處是演員的表演加上臺(tái)詞略顯生硬
暖暖同學(xué)
《鐵西區(qū)》三部分里最長(zhǎng)也相對(duì)令我遺憾的一部。可以輕而易舉地進(jìn)入，但其實(shí)很難堅(jiān)持不走開。最大的問題是，我看不到強(qiáng)有力的節(jié)奏或者韻律，換言之，四個(gè)小時(shí)在我看來不是必須的。 當(dāng)然，在不停的噪音和毒霧里，人物最終在長(zhǎng)時(shí)間的共處下生動(dòng)起來了，但創(chuàng)作者和觀眾雙方都耗費(fèi)了巨大的成本。最好的段落是同事聚餐一幕，女工情緒高昂地歌唱《走進(jìn)新時(shí)代》——一個(gè)天然的隱喻。 方法比較接近直接（靜觀）電影，看見工人在更衣室的自然狀態(tài)，我甚至懷疑王兵真是一只蒼蠅作壁上觀。他們赤身裸體卻對(duì)鏡頭熟視無睹，更是讓我驚訝萬分。王兵有著怎樣的溝通技巧？從某種程度上說，這是影像對(duì)他們身體的剝削嗎？ 《鐵西區(qū)》給我的重大啟發(fā)是，一個(gè)拍攝者可以與多組場(chǎng)景、多個(gè)人物保持同在性。貪多，竟然也是可以嚼爛的。以及，DV依然是這個(gè)時(shí)代最好的利器。
小露同學(xué)
李仁港堅(jiān)持不斷的胡謅，就是這回扯的有點(diǎn)大，打戲也難看。黎明個(gè)大肉臉演劉邦真難受人。不過呢.........我不可否認(rèn)的是港慫李仁港有時(shí)候老把我整傷感了。
日照充足
依舊是我們熟悉的達(dá)內(nèi)。不得不說，他們的創(chuàng)作永遠(yuǎn)有的放矢，永遠(yuǎn)指向現(xiàn)實(shí)。我們需要這樣的電影，也需要這樣的藝術(shù)家。（其實(shí)學(xué)編劇真的該拉一下達(dá)內(nèi)的片子，看似簡(jiǎn)單的故事，實(shí)則構(gòu)思精巧。）
